Max d'Ollone (1888–1960) was a French composer and conductor known primarily for his contributions to classical music. His work primarily falls into the genre of 20th-century classical, characterized by a blend of traditional orchestration and innovative harmonic language. D'Ollone studied at the Paris Conservatory and was influenced by the likes of Gabriel Fauré and Vincent d'Indy. He composed a variety of works, including symphonies, chamber music, and operas. Among his notable works is the opera "Les Amants de Vérone" (1921), which showcases his lyrical style and orchestral color. He also gained recognition for his symphonic poem "La légende de Saint Julien l'Hospitalier" and various choral pieces. Though not as widely known as some of his contemporaries, d'Ollone's music reflects the transitional period in early 20th-century French composition, bridging Romantic and modernist styles. His impact lies in his efforts to expand the French musical language of the time, influencing younger composers and contributing to the richness of the French classical repertoire. His works continue to be studied and performed, highlighting the diverse landscape of classical music in the early 20th century.